THE MESSY MIX

Nothing wrong about a proper pool party, right?

Following the last more mellow mixtapes here I decided to shake things a bit up with my latest Messy Mix and provide a proper mood-lifter that takes us right back to the heydays of late 90s hedonism. Let me invite you to a posh pool party with way too cool people that takes place somewhere in 1998. While I was clearly too young and too uncool to ever get invited to such a celebration I always envisioned it as a place where slick house music grooves would be playing so that’s why I compiled these tunes from around ‘95 to ‘98. So this set ended up including legendary producers like Dave Morales, Tony Humphries, Mousse T., Bob Sinclair and Danny Tenaglia. You’ll find a few legendary pop smashers in there as well, just in a different musical form.

Even without the pool party context this selection represents a sound I’ve been digging a lot lately. Maybe there’s a nostalgic notion in there as well, maybe it’s the summer. Well, I’ll leave the interpretation up to you. Until then: Grab a drink, enjoy the summer days and dream yourself away to a better place. Love, Burnout Sumner

Ah, sweet sweet summer sun. We better enjoy it all before it gets too unbearably hot, right? A good sunrise is even better when it happens across the sea and when the impending new day isn’t packed with work or other commitments – and this new Messy Mix is dedicated to that special feeling. To capture it I asked Leipzig-based DJ and music lover Gili who I first met during a party of our mutual friends Stolen Money Posse and whose sets I’ve been enjoying a lot since then.

However, I quickly noticed that Gili is not just about nice house bangers but has an eclectic musical taste. And the timing for my message to her couldn’t have been better as it collided with her trip to beautiful Sardinia and that elated feeling that you just get when you have just arrived in a beautiful place and know that you will stay there for the next few days.

The result is a mixtape that is closely connected to her vacation experience and Gili’s thinking and feeling there as she explains.

The arrival of spring always comes with a feeling of renewal to me personally. It’s a fresh start after a harsh winter and it always fills my heart with joy and energy to experience the “return” of nature as everything gets more colourful again. You know these spontaneous strolls you do during that time when you suddenly realize that winter is gone? That’s the feeling I wanted to capture with the sixth episode of the Messy Mix.

Going for longer walks around Berlin’s surprisingly green neighbourhood (at least where I live in the Wedding district) really helps me to put things in perspective. And yeah, I guess during the Covid-pandemic we all learned the importance of that to a certain degree. So, this is my tribute to these meditative moments, to the fields, to nature’s regenerative power and the overall beauty of spring, even in such desperate times like now. 

The louder and the more chaotic this world gets the more we all long for silence. But is true silence even possible in an accelerated world of noise? Norwegian artist Tuva Hellum Marschhäuser aka Tuvaband asked herself the same question when we started talking about her very own Messy Mix. “I’ve realised it’s never really completely silent,” she says. “Silence always has a sound. Sometimes I want to control what silence sounds like.“ And this fifth edition of my ongoing mixtape project wants to do exactly that – it gives the silence a sound, handpicked by Tuva.

The result is a fascinating and very calming listening experience, packed with a few familiar names like Nicolas Jaar, Sylvan Esso as well as a brief musical greeting from Tuvaband at the end it are tracks and sounds that are unknown to me. Almost 90 minutes of meditative pleasure for your personal retreat from whatever the heck is going on right now in the world. It’s an invitation to deepdive into these calming sounds and maybe even yourself and I’m thanking Tuvab very much for this beautiful trip about which she says:

I have a long lasting fascination for the whole Blade Runner franchise ever since I first saw Ridley Scott’s iconic science-fiction movie as a kid. I also enjoyed playing the PC game that was released back in 1996 as well as the late follow-up movie from a few years ago. In many ways that movie might have initiated a subtle love for dystopian fiction and those desolate worlds which fascinate me ever since. The saddening fact that our society is slowly heading towards such a bleak scenario is quite an iconic twist here. Maybe I need that reminder that things can get even worse in order to fight for a better future. I honestly can’t tell.

I’ve been digging the whole aesthetic of the movie as well as the sound that late Greek composer Vangelis composed for it in 1982. So, the idea to explore this world musically is a very personal one and I came up with the question: How would a night out in that dystopian moloch of futuristic Los Angeles look like? What if Harrison Ford’s Rick Deckard went from club to club during one of those rainy nights? Do androids rave to electronic beats? That’s the story I wanted to tell with this tape.

This Messy Mix is constantly switching between quiet and loud moments with an overall feeling of darkness and doom clouding it. The more melancholic ambient moments (including music from the original 1982 score as well as from the 2017 sequel by Hans Zimmer and Ben Wallfisch) are interrupted by pumping and heavy electronic beats, underlining the intensity of the scenery. In it you’ll find the work of admired contemporary producers like Daniel Avery, Rival Consoles, Ellen Alien, HAAi,Kurt Uenala, Moderat and a few more surprises. It’s indeed a journey right towards the end when Jehnny Beth fittingly states “I used to be a human being”; something that’s quite fitting to the themes of this series. Link is in the Bio and I surely hope you’ll enjoy it.

I’ve been happy to call German band Kraków Loves Adana friends for a few years now. Over the past 15 years the musical brainchild of songwriter Deniz Çiçek has delivered outstanding songs and records and it really bothers me that they haven’t reached global stardom yet. Well, they got a loyal constantly growing fanbase and Çiçek’s songwriting and storytelling only get better with age. Her seventh album “Oceanflower” is set for a release on February 14 and her Messy Mix is directly influenced by the work on this new record which does indeed come with a certain ‘back to basics’ approach from Kraków Loves Adana following the last more electronic releases. 

Lovers of profound 80s and 90s indie will find a few few familiar faces (and voices) in here, including Slowdive, The Cure, Peter Gabriel as well as the critically underrated 00s indie group The Organ. This Messy Mix does indeed feel like a good old fashioned mixtape, something your younger self would burn on a CD for you to remind you about the things that used to be close to your heart.

I’ve been following German artist Jennifer Touch since her early days and I’m as honored as I am happy that she’s the first person to join me on this new adventure called “The Messy Mix”.

As a fellow lover of dark 80s wave sounds I was more than curious about the story she would be telling here. Jennifer went for the theme called „Purple Postpunk Poets of Pop“.

Next to some fascinating tunes by The Bug, SF-X, Twin Tribes and Broken English Club Jennifer also included a tune of her own as well as overdub extracts of poets from Sylvia Plath. Very fascinating journey, I gotta say.